Theda Hammel’s latest film “Stress Positions” takes viewers on a wild ride through the summer of 2020, showcasing the madness and chaos of that tumultuous time. The movie follows Karla, a transgender massage therapist in New York, as she navigates the complexities of white gay male privilege and the strained relationships in her life.
The film centers around Terry, Karla’s best friend, who finds himself in lockdown at his soon-to-be ex-husband’s brownstone. With quirky characters like Coco, a tenant who follows Terry’s Covid safety protocols vaguely, and Bahlul, Terry’s nephew and a Moroccan fashion model with a broken leg, the film delves into themes of family, identity, and authenticity.
As the characters grapple with their own personal struggles and relationships, the film also takes a sharp look at the ignorance and apathy of the privileged towards global issues. Through the lens of Ronald, a food delivery guy, the hierarchy of lives that matter is exposed, challenging the characters and viewers alike to confront their own biases and blind spots.
While the plot may seem complex at times, the filmmaking in “Stress Positions” is both expressive and deliberate, capturing the chaotic and hallucinatory nature of the events unfolding on screen. With shimmering visuals and a dynamic narrative, the film leaves a lasting impression on audiences long after the credits roll.
“Stress Positions” recently closed the New Directors/New Films festival and is now playing in theaters. With a runtime of 1 hour and 35 minutes, this film is sure to provoke thought and spark conversation among viewers.
