Theda Hammel’s Debut Film “Stress Positions” Takes Audiences Back to the Early Days of the Pandemic
Theda Hammel, a 36-year-old filmmaker, is set to release her debut film, “Stress Positions,” later this month. The ensemble comedy, which premiered at Sundance, delves into the early days of the pandemic, a time that many would rather forget. Despite the challenging subject matter, Hammel believes the film serves as a valuable time capsule.
The movie, set in a Brooklyn brownstone, follows an anxious 30-something trying to navigate the challenges of the pandemic while caring for his injured 19-year-old nephew. The film explores themes of privilege and how it shapes the lives of the characters.
Critics have praised “Stress Positions” for its unique take on the pandemic era. Variety called it “the first genuinely enjoyable film made about the pandemic,” while Out magazine dubbed it “the first great comedy about the Covid era.”
Hammel’s background in comedy, honed through her work on the podcast “Nymphowars,” shines through in the film. Her humor, combined with a talented ensemble cast, brings a fresh perspective to the pandemic narrative.
Despite the success of her debut film, Hammel remains humble about her accomplishments. She credits her mentor, novelist Torrey Peters, for encouraging her to pursue filmmaking and focus on creating something ambitious.
As a filmmaker, drag queen, and musician, Hammel’s journey to directing was not always clear. However, her unique perspective and storytelling abilities have set her apart in the industry.
Looking ahead, Hammel hopes to continue writing and creating, with a focus on smaller-scale projects. She acknowledges the challenges of reaching a broad audience but remains optimistic about the impact of her work.
“Stress Positions” offers a fresh and humorous take on the pandemic era, shedding light on the complexities of privilege and human connection in a time of crisis. Hammel’s debut film is sure to resonate with audiences looking for a unique and engaging cinematic experience.
