The Cannes Film Festival has been buzzing with controversy and conversation as new films continue to make waves, following the polarizing debut of Francis Ford Coppola’s “Megalopolis.” Two standout films, “The Substance” and “Emilia Pérez,” have sparked intense debates among audiences, with opinions ranging from stone-cold classics to total fiascos.
“The Substance,” a gory horror-comedy directed by Coralie Fargeat, stars Demi Moore as Elizabeth Sparkle, an aging actress who turns to a mysterious fluid called the Substance for rejuvenation. The film takes a twisted turn as Sparkle’s younger self emerges from her body, leading to a gruesome tug of war between her two selves. While some critics have praised Moore’s performance and the film’s outrageous finale, others have criticized it as shallow and unsubtle.
Meanwhile, Jacques Audiard’s “Emilia Pérez” has captivated audiences with its unique blend of crime drama, trans empowerment, and musical elements. The film follows Rita, played by Zoe Saldaña, as she helps a drug lord undergo gender-affirming surgery to become Emilia Pérez. The unpredictable plot and unexpected musical numbers have left viewers in awe, with many praising Audiard for his daring approach.
Both “The Substance” and “Emilia Pérez” have sparked spirited discussions at Cannes, with critics and audiences divided on their merits. However, the bold and boundary-pushing nature of these films has solidified their places as standout entries in this year’s festival lineup. As the debates continue to rage on, one thing is clear: these films are making a lasting impression on audiences and critics alike.
