Renowned artist Sarah Sze’s studio is not just a workspace, but a living encyclopedia of the human experience. The walls of her New York studio are adorned with a diverse array of artifacts, from 19th-century chronophotography to pre-Columbian cave paintings. Sze’s work, which blurs the lines between sculpture and painting, delves into the essence of time and memory.
In her recent exhibition “Timelapse” at the Guggenheim Museum, Sze transformed the space into a public clock, with sculptural nests and moving images that explored the concept of time. Her sensitivity to the relationship between sculpture and environment stems from her upbringing with an architect father.
Sze’s latest show at the Victoria Miro gallery in Venice is a homecoming of sorts, as she once represented the United States at the Venice Biennale. The exhibition, split into two parts, showcases Sze’s unique approach to art and space.
During a visit to her studio, Sze shared insights into her creative process and daily routine. From her disciplined approach to starting the day with creative work to her late-night painting sessions, Sze’s dedication to her craft is evident.
With exhibitions in Venice and Paris, Sze continues to push the boundaries of art and challenge traditional notions of space and time. Her work, characterized by a delicate balance between mediums and materials, invites viewers to engage in a conversation across generations.
As Sze navigates the art world with grace and resilience, her studio remains a testament to the power of creativity and the enduring impact of art on the human psyche.
