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Review of ‘The Who’s Tommy’: Embracing the Full Tilt

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“Rock Opera ‘Tommy’ Still Rocks, But Loses Its Heart in Latest Revival”

The iconic rock opera “Tommy” has returned to the stage in a new revival at the Nederlander Theater, but some fans are left questioning whether the production has lost its heart in favor of flashy effects.

Originally released as a concept album in 1969, “Tommy” has always been known for its ambitious storytelling and powerful rock music. The story of a young boy who becomes deaf, dumb, and blind after witnessing a traumatic event has captivated audiences for decades.

However, the latest revival, directed by Des McAnuff, seems to prioritize style over substance. The production is filled with relentless noise and banal imagery, obscuring the emotional depth of the story.

Despite the impressive guitar work and harmonized vocals, some critics argue that the production lacks humanity and real emotion. The use of projections and flashy effects may appeal to fans of rock concerts, but it may miss the mark for those looking for a more nuanced theatrical experience.

While the story of “Tommy” may not always make sense, its themes of trauma, recovery, and redemption have resonated with audiences for years. The latest revival may offer a visual spectacle, but it may struggle to capture the emotional core that has made “Tommy” a beloved classic.

Fans of rock opera and fans of The Who may still find enjoyment in this latest revival of “Tommy,” but for those looking for a more heartfelt and nuanced theatrical experience, this production may leave something to be desired.

“The Who’s Tommy” is currently playing at the Nederlander Theater in Manhattan.

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