Title: “New ‘Strangers’ Film Fails to Deliver Fresh Take on Home Invasion Horror”
The key to a terrific scary home invasion horror movie is not just how domesticity gets breached but why. It’s great to have a determined aggressor, sympathetic victims and a brutal invasion that’s contained and sustained. But to what end?
Yet some of the best home invasion films — “Funny Games,” “Them” — don’t supply easy answers. “The Strangers,” Bryan Bertino’s terrifying 2008 thriller starring Liv Tyler and Scott Speedman as a couple under siege, didn’t either. It kept the invaders’ motives and their identities mysterious, amping up the devil-you-don’t-know terrors with a sense of randomness that was despairing. The premise and execution were simple. The payoff was a gut punch.
On its face, “The Strangers: Chapter 1,” the first of three new films in a “Strangers” reboot from the director Renny Harlin (“A Nightmare on Elm Street 4: The Dream Master”), checks all the same boxes. But the hapless script — written by Alan R. Cohen and Alan Freedland and based on the original — offers nothing fresh in a tiring 91 minutes, and nothing daring to justify a new “Strangers” film, let alone a new series, especially when Bertino’s formidable film is streaming on Max.
This new tale begins with Maya (Madelaine Petsch) and her boyfriend, Ryan (Froy Gutierrez), taking a fifth anniversary road trip through the Pacific Northwest. When their car breaks down in a rural Oregon town, they meet a seen-it-before who’s who of horror movie yokeldom: unsmiling boys, sweaty bumpkin mechanics, a diner waitress whose eyes scream “run, if you know what’s good.”
As Maya and Ryan wait for their car to be fixed, they decide to spend the night at a secluded rental cabin. Under darkness there’s a knock at the door and, true to the home invasion formula, our leading sweethearts get terrorized until dawn inside the cabin and through the woods by a trio of assailants with big weapons and indefinite end goals. They have face coverings too, making menace out of the same blank-faced creepiness the villains embodied in the original film and its 2018 sequel.
Harlin is known for action films, including “Die Hard 2,” and those chops come in handy here, especially when he’s left hanging by a sleepy middle section of frantic chases and failed attacks that feel like padding. Cat-and-mouse games can be compelling, but here, like a “Tom and Jerry” marathon, they get repetitive, dulling the impact of the violence. Petsch and Gutierrez have sufficient enough rapport, and border on sharing a couple’s chemistry as the final stretch comes to a too-predictable conclusion.
The film’s few thrilling moments have little to do with blood and guts and more with the juxtaposition of dread and song, as when Joanna Newsom’s lilting hymn “Sprout and the Bean” and Twisted Sister’s power anthem “We’re Not Gonna Take It” pop up unexpectedly to disorient the action. These and other oddball musical interludes provide too-fleeting hints of what might have been had this film sought a novel household takeover, not the same old.
Overall, “The Strangers: Chapter 1” fails to deliver a fresh take on the home invasion horror genre, offering little in terms of originality or daring. Fans of the original film may be left disappointed by this lackluster reboot.
