“Glitter & Doom: A Time-Warp Musical Love Story That Tugs at the Heartstrings”
Step back in time to the early-to-mid-1990s, where queer independent filmmaking was booming and every gay dream seemed within reach. Enter “Glitter & Doom,” a nostalgic yet fresh take on a gay musical-love-dramedy that feels like it was thawed after 30 frozen years.
Directed by Tom Gustafson and written by Cory Krueckeberg, “Glitter & Doom” follows the story of Glitter (played by Alex Diaz), a circus aspirant with a passion for juggling and photography, who crosses paths with Doom (played by Alan Cammish), a melancholic folkie. What ensues is a rollercoaster of emotions, false starts, and second-guessing as their romance unfolds over the course of nearly two hours.
What sets “Glitter & Doom” apart is its use of music by the Indigo Girls to drive the narrative forward. The rearranged songs, expertly crafted by Michelle Chamuel, highlight the emotional depth and ambivalence present in the Indigo Girls’ catalog. From fear and anger to courage and hope, the music serves as a powerful tool to lubricate communication between the characters.
While the film may not be deep or flawless in its execution, it shines in its portrayal of innocence and warmth. The heartfelt performances, especially by Missi Pyle as Doom’s troubled mother, draw viewers in and make them feel the connection between the characters. Despite the chaotic assembly of images and storylines, the film’s bright and warm aesthetic leaves a lasting impression.
“Glitter & Doom” may not be for everyone, but for those who appreciate a good old-fashioned love story with a musical twist, it’s a must-see. So grab your popcorn and tissues, and prepare to be transported back in time to a world where anything was possible, and love always found a way.
