The fashion world is abuzz with the release of the documentary “John Galliano, High & Low,” which chronicles the rise and fall of the former Dior designer. The film delves into Galliano’s infamous antisemitic rant in 2011, his subsequent fall from grace, and his journey back into the spotlight.
One of the most intriguing aspects of the documentary is the opportunity to hear directly from Galliano himself about his struggles and redemption. It also offers a glimpse into the fashion world of the 1990s, providing a nostalgic look back at a pivotal era in the industry.
But perhaps the most significant aspect of the film is what it symbolizes – the official end of Galliano’s exile from the fashion world. From his firing from Dior to his conviction for hate crimes, Galliano has undergone a period of atonement and redemption, culminating in his successful return to Maison Margiela.
The documentary also reflects a broader shift in the fashion industry away from cancel culture and towards forgiveness. Other once-disgraced figures, such as Ye (formerly Kanye West), Balenciaga, Dolce & Gabbana, Marchesa, and Alexander Wang, have all experienced a similar resurgence in popularity and acceptance.
The fashion industry’s willingness to forgive and forget may be attributed to a variety of factors, including outrage fatigue, changing cultural norms, and the industry’s emphasis on discretion and propriety. As cancel culture loses its grip, designers and celebrities are given a second chance to redeem themselves and reclaim their status in the industry.
Ultimately, the documentary raises important questions about forgiveness, redemption, and the nature of atonement in the fashion world. As the industry continues to evolve, the story of John Galliano serves as a compelling example of the complexities of reputation, forgiveness, and the power of second chances.