The Royal Exchange Theatre in Manchester has found itself at the center of controversy after cancelling its entire five-week run of a modern retelling of Shakespeare’s A Midsummer Night’s Dream. The decision has sparked criticism from acting union Equity, who have accused the theatre of succumbing to a “growing culture of censorship.”
According to reports, the play was axed due to disputes over references to the Israel-Gaza war and trans rights. The Manchester Evening News revealed that the show, set in the city’s present-day rave scene, was cancelled after objections were raised over a song with lyrics mentioning trans rights and the phrase “free Palestine.”
Equity has expressed frustration over the lack of transparency surrounding the cancellation and is currently in discussions with theatre management to uphold the principle of artistic freedom. The union emphasized the importance of dignity at work and freedom of expression for all involved in the production.
The theatre, on the other hand, cited a number of challenges that led to the cancellation, including injuries, technical delays, and last-minute changes. Despite their efforts to overcome these obstacles, the decision was made to scrap the production.
The controversy has not only raised questions about artistic freedom but has also damaged the theatre’s credibility among some observers. Actor Giovanni Bienne criticized the theatre for stifling creativity, while Denise Fahmy questioned whether audiences should have the final say on whether to see a production or not.
As a recipient of funding from Arts Council England and the Greater Manchester Combined Authority, the Royal Exchange Theatre is under scrutiny for its decision-making process. While Arts Council England stated that recipients are responsible for their artistic programs, the Greater Manchester Combined Authority has yet to comment on the matter.
The cancellation of A Midsummer Night’s Dream comes at a time when the theatre is already undergoing changes, having recently replaced its artistic director post with a less senior creative director role. The fallout from this decision is likely to have lasting implications for the theatre and its relationship with artists and audiences alike.
