The Metropolitan Opera’s new production of “El Niño” is taking audiences on a visually stunning journey through a reimagined story of Jesus’ birth and early childhood. With singing and dancing Virgin Marys representing different cultures and traditions, the production is a feast for the eyes and ears.
Costume designer Montana Levi Blanco faced the challenge of differentiating the flock of Virgins, but with his experience working with director Lileana Blain-Cruz, he was able to create stunning and unique costumes for each character. The chorus, turned into flora, adds to the natural environment evoked by the painterly scenery.
The production takes a global view, drawing inspiration from stories and clothing of migrants from various regions. Each Mary, whether of the Land, Sea, Golden, Tropical, or Indigenous, is beautifully represented on stage, with intricate detailing and elaborate costumes that evoke religious iconography.
For Levi Blanco, Indigenous Mary holds a special resonance, drawing on his upbringing in New Mexico where Christianity merged with Native American and Mexican cultures. The costume, adorned with floral motifs and a lustrous abalone finish, pays homage to his grandmother Stella, who was an important influence in his life.
With a mix of tradition and innovation, the production of “El Niño” promises to be a visually stunning and culturally rich experience for audiences, showcasing diverse representations of the iconic figure of Mary.
