Coralie Fargeat’s movies are not for the fainthearted. With blood and gore playing a central role in her work, the French filmmaker has made a name for herself in the world of genre cinema. Her first full-length feature, “Revenge” (2017), was filled with so much fake blood that extra quantities had to be constantly prepared on set in Morocco.
Now, Fargeat is back with a new title, “The Substance,” starring Margaret Qualley, Demi Moore, and Dennis Quaid. The film promises to be just as violent as its predecessor and is in the running for the prestigious Palme d’Or at the Cannes Film Festival.
Born in Paris, Fargeat developed a passion for filmmaking at a young age, thanks to her grandfather who introduced her to violent movies like the “Rambo” series and “RoboCop.” After interning on various film sets and releasing critically acclaimed shorts, she made a splash with “Revenge” at the Toronto International Film Festival.
In a recent interview, Fargeat discussed her love of violent cinema and her feminist agenda. She explained that her films, while extreme in their violence, are not meant to glorify pain but rather to explore societal issues in a visceral and visually striking way.
With “The Substance,” Fargeat continues to push boundaries and challenge stereotypes about women in cinema. The film is a feminist take on body horror, exploring themes of inequality and violence that women face in their everyday lives.
As Fargeat gears up for Cannes, she reflects on the importance of affirmative action in promoting female talent in the industry. She believes that active efforts are needed to level the playing field and ensure that women have equal opportunities to showcase their work on a global stage.
With “The Substance” set to make waves at Cannes, Fargeat is poised to solidify her place as a bold and boundary-pushing filmmaker in the world of genre cinema.
