Title: Eric Wrenn: The Secret Designer Shaping New York’s Art and Fashion Scene
For about a decade, Eric Wrenn has been the go-to designer for the New York art and fashion scene, quietly shaping the images of brands with his minimalist touch. At 38, Mr. Wrenn has worked on a wide range of projects, from ad campaigns to logos, books, websites, and invitations to runway shows, all while maintaining a low profile.
His client list reads like a who’s who of downtown bluechips, with designers like Emily Bode Aujla of Bode and the founders of Eckhaus Latta singing his praises. Bode’s logo was transformed into something spare yet punchy by Mr. Wrenn, while his collaboration with Eckhaus Latta led to provocative ad campaigns and unique runway show invitations.
In addition to working with fashion brands, Mr. Wrenn has also lent his sensibilities to books by artists like Glenn Ligon and Wade Guyton, as well as galleries like Greene Naftali and Artists Space. His work as Artforum’s design director further solidified his reputation in the art world, with magazine covers featuring the work of renowned artists.
Despite his impressive portfolio, Mr. Wrenn remains humble and focused on the work. He describes his design philosophy as saying something about a brand without saying too much, a delicate balance he has mastered over the years. His attention to detail and ability to understand his clients have made him a sought-after designer in the industry.
During a recent interview, Mr. Wrenn showcased some of his recent projects, including stationery for Empty Gallery in Hong Kong and collaborations with musicians like Sophie. His dedication to his craft and his ability to stay true to his minimalist style have earned him a reputation as an insider secret tip in the industry.
As he continues to shape the visual identities of brands in the art and fashion world, Eric Wrenn remains a quiet force behind some of the most iconic designs in New York City.
